April 27, 1997 -- "Murder at 1600" is a by-the-numbers conspiracy movie along the lines of "Absolute Power" which, like its predecessor, benefits from a strong script and good actors.
Conspiracy nuts would eat this one up, except that the wrong people are behind the conspiracy to cover up the real killer of a woman in the White House. Instead of the Trilateral Commission, it turns out to be a very different bunch.
Just like in "Absolute Power," which came out earlier this year, there's a murder in the White House and there are people at the highest levels of authority covering up the truth about whodunit.
Secret Service spooks swoop in and scoop up all the evidence and hide it in the name of "national security" from D.C. detective Harlan Regis (Wesley Snipes). An agent, Nina Chance (Diane Lane) is assigned to Regis to make sure he doesn't find out the truth.
Of course Regis, a smart cop, and his trusty sidekick, detective Stengle (Dennis Miller) manage to piece together enough evidence to find out who was really responsible for the woman's death, with the aid of Chance, who has a change of heart about framing an innocent man for the murder.
There are a number of red herrings in the film to throw the viewer off the track of who is behind the deed. It eventually comes down to a race against time for Regis, Stengle and Chance (or was that Evers to Tinker to Chance?) to head off a big government catastrophe.
There was one movie cliche in the film that was so obvious, I had my fingers in my ears in advance. O.K. class, if you are a character in a film who is about to reveal a big government conspiracy, should you (A) - hide in a steel vault, or (B) - stand in front of a ground floor window with the drapes open? Multiple choice questions are so easy, aren't they?
Despite the obviousness of the plot, the film works well because of deft direction by Dwight H. Little and good acting by the three people mentioned above, who really work well together. The writers, Wayne Beach and David Hodgin, create interesting characters and kept me guessing on the mystery for most of the movie. There's also some interesting camera work, including an overhead shot of a janitor waxing a floor with what appears to be the breast stroke. I give the movie a B.
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